The Curator’s Dilemma
by Jean Laurie
A small portrait of a big man, you can recall
from his russet cheeks his well-fed life spent hunting
and shooting and moulding the moor
with walled gardens, follies and sheep.
I have to be truthful, he’s a handsome man.
but I need to tell you about sugar money
and his ship in the Atlantic slave trade,
but too much truth is too painful to bear.
Although times have changed, men still marry for money
and viewers may be asking, or maybe not,
about his half smile and him with a wife
that died too young, no legitimate heir.
Men of his time write in thick biographies
of his energy, good works, care of his workmen.
There’s just one phrase that shows his true colours,
the one about his “amours with servant girls”.
And I wonder if I have your permission
To interpret the nature of consent.
Curation of historic collections and stately homes is evolving from deference to a more interrogative look at the sense of entitlement some of Wallington's owners felt, their profits from the slave trade, etc. But curators need to be aware of the reaction from visitors to the way they choose to interpret history, when there were different norms.