My Skill and My Curse
by S.C.Cullen
The name I go by is Joe
My mother called me Giuseppe
I have a skill
And a curse.
I know they are related.
My skill
Seeing and creating beauty.
Swirls of plaster
Sphinx
Garlanding untasted fruits
Aloft as skies
And lives
of Britain’s wealthy
men
I watch
From the ladders.
Them
doing whatever they like
Me
doing as I’m told
- but within a range of freedom
allowed
now that I am second only to Pietro
I used it
- that freedom
Back in Venezia
in palazzi
- those cheap copies
of Signore Palladio’s masterpieces.
I learned quickly
to stifle a giggle in this wet green and pleasant land
at what passes as Palladian
Why am I here?
Both my skill
And my curse
I loved another.
And thus I fled
with his memory
under the wing of the maestro
Pietro Lafranchini - Stuccodore magnifico
And so as I mix the ingredients
I feel again his hands on mine
teaching me those seven years.
And in the gestures
that make art
I find him again
And again
I wonder
if I too shall wither away
with the white dust disease
- the untold cost
of their love
of this chinoiserie.[1]
Footnote:
1.Chinoiserie is lavishly with fine plasterwork
After the early eighteenth century remodelling of Wallington Hall, the Drawing Room (or Saloon) was decorated lavishly with fine plasterwork - known as chinoiserie - by 1743, undertaken by the Italian Lafranchini brothers, who brought a ‘colony’ of Italian workmen who stayed in the village of Cambo.
A poem exploring the toxicity of working with plaster dust and the dangers of falling in love.